"Tamara's James Bond-like, John Barryesque Ipcress File theme for my film The 2.40 To London perfectly captured the 1960s thriller soundtrack I was striving to create for the movie. She was also easily able to compose music to spec for other scenes in the film that required a different feel to them. She is an outstanding film soundtrack composer."

"Tamara composed the mesmeric score to our 2024 Edinburgh comedy show Beryl and Clive; Sing or Die. She was incredible; so inventive at writing the different styles required for the piece and so easy to work with. She composed a fusion of references to Nursery Rhymes and musical nods to the Bossanova genre in order to create the childlike; womb-like sonic landscape we needed for the show. She is a dream to work with."

"My film was almost a silent movie and used visually punchy fantasy sequences to convey to the audience what was going on in the characters minds. Tamara's superb music was an integral part of the story telling, becoming another character in the film and resulting in the perfect marriage of sound and image."

"Tamara's eclectic choral compositions bought a new dimension to the play and gave it a haunting and other-worldly flavour."

"Tamara's wondrous score to my play “Just Call Me Al” took it to a very intense emotive and spiritual level. The mesmeric music perfectly captured the wistful longing for the healthier former self and the painful letting go of all that once was. This was a perfect fusion of themes and their sonic counterparts."